Faking It

I am currently reading the book, Wonder and in it, there are a number of precepts.

Am I the only one who had to pause to remember what “precepts” meant?

I hope not, but, just in case I am not the sole grade-3-spelling-bee-champ-with-an-adult-onset-short-term-memory-deficit-for-proper-nouns, here’s a refresher:   precepts are mottos;  wise sayings;  noble rules by which to conduct one’s life.

It is important to have precepts.  Especially ones like this one:

“Never admit that using your e-reader is a clever way to find out the meaning of a word in a book designed for middle-school children.”

Anyway.

I have another precept:  Fake It ‘Til You Make It.

(Precepts get taken more seriously when they are written with a few capital letters).

My precept is not to imply that I advocate fibbing or mis-representation or passing off that 7 layer cake you got from the artisan bakery as your own work (although having had my own layer cake trauma, I could almost understand if you felt compelled to do that).

No, what I mean is, be your authentic, flawed and wonderful self and then go ahead and FAKE IT ‘TIL YOU MAKE IT.

(Okay, so all caps is just too obnoxious, even for a precept).

Yep, instead of wallowing in your insecurities and all the things you just can’t do (although goodness knows, that’s fun on a cloudy afternoon with a box of ice cream), pretend you know how.  Just for a little while, make the little voice in your head say, “Ha!  This will be a breeze!  I am great at knitting daisies/folding kirigami trees/building swings/crafting papier mache chandeliers/drawing purple elephants using my elbows” and then, as the megalo-maniac athletics company says:  JUST DO IT.

(See, their precept, while lovely, is just a tad obnoxious with the all caps thing).

But, get on with it and maybe, just maybe, you will find that you actually can, after all.

I Fake It ‘Til I Make It all the time.  In fact, I have recently convinced myself that I can play guitar, even though I only learned three-and-a-half chords around age 12.

Practical Man gave me this blue guitar for Christmas. I love it!

And now, a few short weeks later, I sort of CAN play guitar.

I’m constantly Just Doing Things I can’t do.  Faking It ‘Til I Make…something.

Like fabu-lizing my father’s old guitar case from 1964.

I had already festooned it with a few stickers after he gave it to me recently but, even though I adore festooning, that wasn’t Just Doing It for me, so, I came up with the idea to jazz it up with some vintage fabric I had lying around (jazzing up is like festooning on steroids).

Vintage fabric – approx. 1 metre/yard

Practical Man suggested that first, we fix it.

After all, this case is from 1964.

And by “we”, I mean “he”:

I don’t have a lot of patience for the clamping and gluing, the molding and re-laminating.  But not Practical Man.  He is a big fan of clamps.  With a handful of clamps, he is one happy clamper.

Ha!

After all the first aid, I finally got to play with the fabric.

Well, actually, Practical Man suggested that it would be a good idea to iron the fabric, first.   The Faking It ‘Til I Make It project nearly ended right there because nobody told me that there was going to be ironing involved in this extravaganza.

Ironing was not part of my fabu-lizing plan.  It is the very definition of anti-fabu-lizing.

But, I took a deep breath and I Faked It Like I Was A Person Who Ironed.

This was almost the end of my Faking It ‘Til I Make It. I don’t love ironing.

Then, it was back to the joy again as I got my nifty pinking shears (that’s just fun to say) and snip, snipped out the guitar shape from the very lovely, newly-ironed, vintage fabric:

I contemplated just varnishing this on to the floor because wouldn’t it be fun to have a flowery guitar inlaid into the floor?

Please ignore that whisper of fold near the top.  No amount of Faking It or steam could help me flatten that.  Also, I didn’t have quite enough full pieces of fabric so the bottom of the case is in two pieces, sewn together.  I Fake It While I Say Bad Words and Sew quite frequently so this was not too traumatic.

Luckily, straight line sewing on linen, non-wiggly fabric. Not too many bad words.

Because of the scarcity of this vintage fabric, we decided to fabu-lize the sides of the guitar in other ways:  using paint and tape.  I was eager to get on with the Faking It While I Painted It but Practical Man reminded me that we should tape the inside of the case so it wouldn’t get red paint all over it.

Very thorough taping/papering ensued.

I may have rolled my eyes and sighed loudly, a couple of times.

So important. So not fun.

Then, came the painting.  Practical Man doesn’t have to Fake It ‘Til He Makes It while painting so he took the reigns and the spray can and got down to business.  This being red, it took a few coats.

 

Then, there was waiting.

Between coats.

And after the final coat, for curing.

Waiting, waiting.

Finally, it was time for the fun fabric-izing!  We covered the lid of the guitar case with white glue, using cheap paint brushes.  Then, quickly, quickly, carefully, carefully, we laid down the fabric on top.  We smushed it all down so that it all made contact with the glue, then we quickly, quickly, before it could dry, painted a thick layer of glue on top and worked out any bubbles we found to seal the fabric in.

We used white glue (dries clear). You could also use Mod-Podge (basically thinned, more expensive white glue)

Then, we had brandy to recover from the stress.

Just kidding.

It was chocolate milk in a fun glass.

More waiting while the magic happened:  the glue turned clear when it dried!

Once it was fully dry, we turned the case over and applied the second piece of fabric to the bottom.

More quickly, quickly.

More stress.

More brandy (not really).

More waiting.

I do a lot of Faking It ‘Til I Make Like I Enjoy Waiting.

One day or a hundred years later, it was time to tape!

Oooh, quite stressful as well.

Using an exacto-knife, the tape, and nerves of steel, Practical Man and I carefully applied the tape to the edges of the lid, making “relief” cuts using the exacto knife on the tape when needed, to go around the underside of the curves.

Not only does the tape look fun, but it also strengthened the 51 year-old rim.

we cut around the hinges and buckles.

YAY, I thought.

We’re done!

No, no, not so fast there, Speedy Gonzales.

Practical Man reminded me that spraying the whole thing to protect it, was a good plan.  I agreed but, honestly, that was before I realized that spraying meant scraping off all the excess, dried, clear glue that was on the edges (so that it wouldn’t crack and turn white every time we set the case down on the floor) and also:

Taping.  The.  Whole.  Case.  Again.

I am Faking It While We Tape It

 

I wish I drank brandy.

But, it is starting to look beautiful, don’t you think?

 

So, there you have it.   Approximately two weeks later, presto-bongo, we have a sturdy, repaired, carefully fabu-lized work of guitar case art and I love it:

 

But wait!

There are apparently only two tasks left:

• rubbing 4-0 steel wool over the whole fabric surface to smooth off the fibres that have risen during gluing and then
• applying a coat of wax

The demonstration sample Practical Man made me has shown me that these two steps will, indeed, result in a superior end product.  And, it’s also made me realize something:

Practical Man’s doesn’t live by the precept:  Fake It ‘Til You Make It.

He lives by the precept:

Do It Right Or Don’t Do It At All.

I  think we make a great team.

 

Copyright Christine Fader, 2015.  Did you enjoy this post from A Vintage Life?    Share on Facebook       Tweet

 

 

 

 

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Posted by Christine Fader in Crafts, Fabric, Vintage Viewpoint Tags: art, crafts, decorate, fabric, guitar case, hippy, how to customize a guitar case, marriage, podge, precepts, re-use, recycle, retro, upcycle, vintage, vintage fabric, Wonder by RJ Palacio